Grotesque is a term that defines a particular mural or sculptural decoration involving mixed animals, humans, and plant forms.
The word derives from the ItalianĀ grotteschi, referring to theĀ grottoes (caves) in which these decorations were found c. 1500 during the excavation of RomanĀ housesĀ such as Neroās Golden House. Grotesque decoration was common on 17th-century British and American furniture.
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The word grottesco in the Renaissance period was used to designate a specific ornamental style suggested by antiquity, understood not only something playfully gay and carelessly fantastic but also something ominous and sinister in the face of a world different from the familiar one.
A world in which the realm of inanimate things is no longer separated from those of plants, animals, and human beings, and where the laws of statics, symmetry, and proportion are no longer valid.
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GrotesqueĀ Art
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The artists began to give theĀ tiny facesĀ of the figures inĀ grotesque decorationsĀ strangeĀ caricatural expressions, in continuation of the medieval traditions of the pranks in the border decorations or the initials in the illuminated manuscripts.
From this, the term began to be applied to larger caricatures, such as those of LeonardoĀ daĀ Vinci, and the modern sense began to develop. It is first recorded in English inĀ 1646 by SirĀ ThomasĀ Browne:
“In nature, there are no grotesques”
The term was also used forĀ miniature half-human cartoons drawn in the margins, and even the figures carved on the buildings are called āgrotesquesā.
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A boom in the production of grotesque works of art characterized the 1920-1933Ā periodĀ ofĀ German art. In the art of contemporary illustration, the āgrotesqueā figures, commonly appear in the genre grotesque art, also called fantastic art.
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In Architecture
The term āgrotesqueā, in architecture, indicates aĀ carved stone figure, often confused with gargoyles, but while gargoyles are figures that contain a jet of water through their mouth, grotesques do not.
This type ofĀ sculptureĀ is also called aĀ chimera. More precisely, the term gargoyle refers to mostly creepy figures specifically sculpted as spout endings that channel water away from the sides of buildings.
In the Middle Ages, both to refer to gargoyles and grotesques, the term babewynĀ was used, which comes from the Italian word babbuino, which means ābaboonā.
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Engravings, woodwork, book illustration, decorations
Soon the grottesche appeared in marquetry (precious woodwork), in the maiolica produced mainly in Urbino fromĀ the lateĀ 1520s, then in the illustration of books and in other decorative uses.
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At Fontainebleau Rosso FiorentinoĀ and his team combined grotesques with the decorative form ofĀ the strap, the representation of leather straps in plaster or wood moldings, which forms an element inĀ grotesques.
In theĀ 17thĀ andĀ 18th centuries, the grotesque embraced a wide field of artistic experimentation and teratology, or the science of monsters. TheĀ monstrous, for example, often recurs as a notion of play.
Info source:
Ā https://en.wikipedia.org/wiki/Grotesque
Ā http://www.britannica.com/art/grotesque-ornamentation
http://www.jbdesign.it/idesignpro/mannerism%20grotesque.html#grotesque
http://www.liquisearch.com/grotesque
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